{"id":529,"date":"2018-11-23T01:26:20","date_gmt":"2018-11-23T00:26:20","guid":{"rendered":"https:\/\/www.enricoolivanti.com\/composizioni\/"},"modified":"2023-11-07T23:22:32","modified_gmt":"2023-11-07T22:22:32","slug":"kompositionen","status":"publish","type":"page","link":"https:\/\/www.enricoolivanti.com\/de\/kompositionen\/","title":{"rendered":"Kompositionen"},"content":{"rendered":"

[et_pb_section fb_built=“1″ fullwidth=“on“ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_fullwidth_header title=“Kompositionen“ background_overlay_color=“rgba(102,100,94,0.6)“ _builder_version=“4.23.1″ title_font=“||||||||“ title_font_size=“90px“ background_color=“#efd8a8″ background_image=“https:\/\/www.enricoolivanti.com\/wp-content\/uploads\/2019\/01\/enrico-olivanti-composer-1.jpg“ hover_enabled=“0″ global_colors_info=“{}“ title_text=“Enrico Olivanti Composer – Ph: Konvex Studio“ sticky_enabled=“0″][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.16″ custom_padding=“54px|0|54px|0px|false|false“ global_colors_info=“{}“][et_pb_row _builder_version=“4.16″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.23.1″ text_font=“||||||||“ link_font=“||||||||“ link_text_color=“#f19800″ header_font=“||||||||“ header_3_font=“||||||||“ header_3_text_color=“#66645e“ header_3_font_size=“32px“ global_colors_info=“{}“]<\/p>\n

Elegia della memoria<\/b>\u00a0op. n.1 (2009)<\/h3>\n

(Kammerorchester, SLMC Chamber Ensemble gewidmet);
\nprima esecuzione il 7.6.2009 presso la Sala Casella dell\u2019Accademia Filarmonica Romana;
\nhttps:\/\/soundcloud.com\/enrico-olivanti\/elegia-della-memoria<\/a><\/p>\n

 <\/p>\n

Sovrumani Silenzi<\/b>\u00a0<\/b>op.2 (2010)<\/h3>\n

(Album f\u00fcr Jazz Quintet, Enrico Olivanti Quintet);
\nhttps:\/\/soundcloud.com\/enrico-olivanti\/hu-tong<\/a>
\nhttps:\/\/soundcloud.com\/enrico-olivanti\/ritroverai-la-strada<\/a><\/p>\n

 <\/p>\n

Fantasia<\/b> op.3 (2010)<\/h3>\n

(Kammerorchester, SLMC Chamber Ensemble gewidmet);
\nprima esecuzione il 24.6.2010 presso la Sala Casella dell\u2019Accademia Filarmonica Romana;
\nhttps:\/\/soundcloud.com\/enrico-olivanti\/fantasia-per-orchestra-da<\/a><\/p>\n

 <\/p>\n

Il Pensiero Positivo<\/b> op.4 (2010\/2011)<\/h3>\n

(Suite f\u00fcr 5 Musiker, Enrico Olivanti Quintet);
\nPubblicato il 29.5.2014
\nhttps:\/\/www.youtube.com\/watch?v=LiXrwWlA8oU<\/a>
\nhttps:\/\/soundcloud.com\/enrico-olivanti\/il-pensiero-positivo-parte-i<\/a>
\nhttps:\/\/soundcloud.com\/enrico-olivanti\/il-pensiero-positivo-parte-ii<\/a>
\nhttps:\/\/soundcloud.com\/enrico-olivanti\/il-pensiero-positivo-v<\/a><\/p>\n

 <\/p>\n

Drei Preludien fuer Klavier<\/b> op.5 (2011\/2013)<\/h3>\n

(M\u00b0Emanuele Micacchi gewidmet);<\/p>\n

 <\/p>\n

Studio Elettronico n.1\u00a0<\/b>op.6 (2013);<\/h3>\n

 <\/p>\n

Passione\u00a0<\/b>op.7 (2013)<\/h3>\n

(f\u00fcr Bariton, Chor und Orchester, Bachelor-abschlussarbeit);<\/p>\n

 <\/p>\n

Bill\u2019s Affinity\u00a0<\/b>op.8 (2013)<\/h3>\n

(f\u00fcr Big Band, eXit Orchestra gewidmet);<\/p>\n

 <\/p>\n

E si fer tutte le lor membra stelle<\/b> op.9 (2014)<\/h3>\n

(f\u00fcr 4 Geige, Bratsche, Cello, Kontrabass, Flote, Oboe, Klavichord , Gli Arcadi Ensemble gewidmet);
\nprima esecuzione il 11.10.2014 presso la Chiesa di S.Michele in Roma<\/p>\n

 <\/p>\n

Sieben, Zwolftontechniksstudium um der nummer 7\u00a0<\/b>op.10 (2014)<\/h3>\n

(f\u00fcr Klavier, M\u00b0Emanuele Micacchi gewidmet);<\/p>\n

 <\/p>\n

Toccata e Fuga per Bayan solo<\/b>\u00a0op.11 (2014)<\/h3>\n

(f\u00fcr solo Accordion, M\u00b0Samuele Telari gewidmet);
\nprima esecuzione il 17.3.2016 nella Sala casella dell\u2019Accademia Filarmonica Romana<\/p>\n

 <\/p>\n

Lichtgrenze, confini di luce<\/b>\u00a0op.12 (2014)<\/h3>\n

(f\u00fcr Orchester, Orchestra Giovanile di Roma gewidmet);<\/p>\n

 <\/p>\n

Trigonos I<\/b>\u00a0op. 13 (2015)<\/h3>\n

(f\u00fcr Flote, B Klarinett, Fagott und Klavier, Nuova Ensemble Synapsis gewidmet);<\/p>\n

 <\/p>\n

Decadance\u00a0<\/b>op. 14 (2015)<\/h3>\n

(f\u00fcr Saxophonquartett)
\nprima esecuzione il 30.10.2015 presso la Konzertsaal della Hochschule f\u00fcr Musik Carl Maria von Weber Dresden<\/p>\n

 <\/p>\n

Visioni di Anime contadine<\/b>\u00a0op.15 (2015)<\/h3>\n

(f\u00fcr Big Band)
\nprima esecuzione il 26.1.2016 presso la Konzertsaal della Hochschule f\u00fcr Musik Carl Maria von Weber Dresden
\nhttps:\/\/soundcloud.com\/enrico-olivanti\/visioni-di-anime-contadine-big-band<\/a><\/p>\n

 <\/p>\n

Der Suchende<\/b>\u00a0op. 16 (2015-16)<\/h3>\n

(f\u00fcr das Komp-Akt Ensemble)<\/p>\n

 <\/p>\n

Trigonos II<\/b> op. 17 (2016)<\/h3>\n

(F\u00fcr E-Gitarre, Alt Saxophon und Schlagzeug)<\/p>\n

 <\/p>\n

Pachamama Matrem Virginem<\/b>\u00a0op. 18 (2016)<\/h3>\n

(f\u00fcr Sinfonie Orchester, dem Landesjugendorchester Sachsen gewidmet)
\nprima esecuzione mondiale il 10.10.2016 presso lil Teatro Municipal di Trujillo (Per\u00f9)
\nprima esecuzione europea presso la Konzertsaal della Hochschule f\u00fcr Musik Carl Maria von Weber Dresden
\nhttps:\/\/www.youtube.com\/watch?v=aiddfBeyO_M<\/a>
\nhttps:\/\/soundcloud.com\/enrico-olivanti\/pachamama-matrem-virginem-landesjugendorchester-sachsen<\/a><\/p>\n

 <\/p>\n

Barlesque<\/b> op.19 (2016)<\/h3>\n

(Musical)<\/p>\n

 <\/p>\n

Concertino per Bouzouki e Strumenti a Fiato<\/b>\u00a0op.20 (2016-17)<\/h3>\n

(f\u00fcr das Ensemble des Freundeskreises der Landesb\u00fchne Sachsen)
\nprima esecuzione il 11.3.2017 presso la Evangelisch-Lutheranisce Kirchgemeinde Dresden-Prohlis
\nhttps:\/\/soundcloud.com\/enrico-olivanti\/concertino-per-bouzouki-e-strumenti-a-fiato-adagio<\/a><\/p>\n

 <\/p>\n

Was Zusammen Geh\u00f6rt<\/b>\u00a0op.21 (2017)<\/h3>\n

(f\u00fcr die Dresdner Bl\u00e4serphilharmonie)
\nprima esecuzione il 14.1.2018 presso il Kulturpalast della Dresdner Philharmonie di Dresda<\/p>\n

 <\/p>\n

Kontrap\u00fcnktlichkeiten<\/b> op.22 (2017)<\/h3>\n

(f\u00fcr Saxophonquartett)
\nprima esecuzione il 27.10.2017 presso il Jazz Club Tonne di Dresda<\/p>\n

 <\/p>\n

Il Fiore del Deserto<\/b>\u00a0op.23 (2017-18)<\/h3>\n

(f\u00fcr die Mittels\u00e4chsische Philharmonie und die HfMDD Jazz Orchestra)
\nprima esecuzione il 12.4.2018 presso la Nikolaikirche di Freiberg (Sassonia)
\nhttps:\/\/soundcloud.com\/enrico-olivanti\/il-fiore-del-deserto-for-symphony-orchestra-and-big-band<\/a><\/p>\n

 <\/p>\n

Dazu<\/b>\u00a0op.24 (2018)<\/h3>\n

per Violoncello Solo;<\/span><\/p>\n

<\/span><\/p>\n

Preludi Astratti\u00a0<\/b>op.25 (2018)<\/h3>\n

per Elettronica e Musica Concreta;
\nhttps:\/\/soundcloud.com\/enrico-olivanti\/preludio-astratto-n2-piani<\/a>
\nhttps:\/\/soundcloud.com\/enrico-olivanti\/preludio-astratto-n3-voci<\/a><\/p>\n

<\/span><\/p>\n

SYNPHONIA<\/b> op. 26 (2019)<\/h3>\n

for Jazz Quartet, Live electronics, Sound Installation and Winds Quintet;
\nhttps:\/\/youtu.be\/boUVv3WjDMM<\/a><\/p>\n

<\/span><\/p>\n

Mysterium Francisci<\/b> op. 27 (2020)<\/h3>\n

for Soli Choir, Solo Viola and Bell
\ncommissioned by the Meissner Kantorei 61 e.V.
\nhttps:\/\/www.youtube.com\/playlist?list=PLX1bjxghD8t5oA_C3IZjhfPFkh6eWJjmq<\/a><\/p>\n

<\/span><\/p>\n

Epopteia<\/b> op. 28 (2021)<\/h3>\n

for Chamber Ensemble and Live Electronic
\nhttps:\/\/youtu.be\/5iYZ3Crs8ew<\/a><\/p>\n

<\/span><\/p>\n

Improvvisi for Orchestra<\/b> op. 29 (2022)<\/h3>\n

for Symphonic Orchestra
\nhttps:\/\/youtu.be\/nKObFKch-qs<\/a><\/p>\n

<\/span><\/p>\n

Love letters beneath the doric tomb<\/b> (Album) op. 30 (2022)<\/h3>\n

Enrico Olivanti : lead and rhythm electric guitars, nylon strings guitar, electronics, synths, effects, loops, drones, Tibetan bells, percussions, bouzouki, lead voice
\nhttps:\/\/open.spotify.com\/intl-it\/album\/4iMWZxHuiHVDE2KMHVxlxO?si=oxWAcdKXQ-Oe-vcASlNR0Q<\/a><\/p>\n

<\/span><\/p>\n

City Lights<\/b> op. 31 (2023)<\/h3>\n

for Double Choir, Strings Trio, Piano, Live electronics
\ncommissioned by the Junges Ensemble Dresden and El Perro Andaluz Ensemble[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“3.19.4″ background_color=“#66645e“ global_module=“137″ saved_tabs=“all“ global_colors_info=“{}“][et_pb_row _builder_version=“4.16″ global_colors_info=“{}“ column_structure=“1_3,1_3,1_3″][et_pb_column type=“1_3″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_image src=“https:\/\/www.enricoolivanti.com\/wp-content\/uploads\/2019\/01\/logo-white.png“ align_tablet=“center“ align_last_edited=“on|desktop“ _builder_version=“4.16″ max_width=“60%“ module_alignment=“left“ global_colors_info=“{}“ align_phone=“center“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_3″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_blurb title=“Enrico Olivanti Artist“ url=“https:\/\/www.facebook.com\/Enrico-Olivanti-Artist-546046378917891\/“ url_new_window=“on“ use_icon=“on“ font_icon=“agsdix-null||divi||400″ icon_color=“#ffffff“ icon_placement=“left“ image_icon_width=“30px“ _builder_version=“4.16″ header_font=“||||||||“ header_font_size=“22px“ header_line_height=“1.5em“ body_font=“||||||||“ background_layout=“dark“ custom_margin=“||5px“ link_option_url_new_window=“on“ icon_font_size=“30px“ global_colors_info=“{}“][\/et_pb_blurb][et_pb_blurb title=“LinkedIn“ url=“https:\/\/www.linkedin.com\/in\/enrico-olivanti-b956a269\/“ url_new_window=“on“ use_icon=“on“ font_icon=“agsdix-null||divi||400″ icon_color=“#ffffff“ icon_placement=“left“ image_icon_width=“30px“ _builder_version=“4.16″ header_font=“||||||||“ header_font_size=“22px“ header_line_height=“1.5em“ body_font=“||||||||“ background_layout=“dark“ custom_margin=“||5px“ link_option_url_new_window=“on“ icon_font_size=“30px“ global_colors_info=“{}“][\/et_pb_blurb][et_pb_blurb title=“eolivanti@hotmail.it“ url=“mailto:eolivanti@hotmail.it“ url_new_window=“on“ use_icon=“on“ font_icon=“agsdix-null||divi||400″ icon_color=“#ffffff“ icon_placement=“left“ image_icon_width=“30px“ _builder_version=“4.16″ header_font=“||||||||“ header_font_size=“22px“ header_line_height=“1.5em“ body_font=“||||||||“ background_layout=“dark“ custom_margin=“||5px“ link_option_url_new_window=“on“ icon_font_size=“30px“ global_colors_info=“{}“][\/et_pb_blurb][\/et_pb_column][et_pb_column type=“1_3″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_blurb title=“Enrico Olivanti Quintet“ url=“https:\/\/www.facebook.com\/Enrico-Olivanti-Quintet-265756655045\/“ url_new_window=“on“ use_icon=“on“ font_icon=“agsdix-null||divi||400″ icon_color=“#ffffff“ icon_placement=“left“ image_icon_width=“30px“ _builder_version=“4.16″ header_font=“||||||||“ header_font_size=“22px“ header_line_height=“1.5em“ body_font=“||||||||“ background_layout=“dark“ custom_margin=“||5px“ link_option_url_new_window=“on“ icon_font_size=“30px“ global_colors_info=“{}“][\/et_pb_blurb][et_pb_blurb title=“Soundcloud“ url=“https:\/\/soundcloud.com\/enrico-olivanti“ url_new_window=“on“ use_icon=“on“ font_icon=“agsdix-null||divi||400″ icon_color=“#ffffff“ icon_placement=“left“ image_icon_width=“30px“ _builder_version=“4.16″ header_font=“||||||||“ header_font_size=“22px“ header_line_height=“1.5em“ body_font=“||||||||“ background_layout=“dark“ custom_margin=“||5px“ link_option_url_new_window=“on“ icon_font_size=“30px“ global_colors_info=“{}“][\/et_pb_blurb][et_pb_blurb title=“Spotify“ url=“https:\/\/open.spotify.com\/album\/5Np5HcFJGvNbjf0kzO3fhk?si=20aSTNF-SCKElPQ320gWcg“ url_new_window=“on“ use_icon=“on“ font_icon=“agsdix-null||divi||400″ icon_color=“#ffffff“ icon_placement=“left“ image_icon_width=“30px“ _builder_version=“4.16″ header_font=“||||||||“ header_font_size=“22px“ header_line_height=“1.5em“ body_font=“||||||||“ background_layout=“dark“ custom_margin=“||5px“ link_option_url_new_window=“on“ icon_font_size=“30px“ global_colors_info=“{}“][\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Elegia della memoria\u00a0op. n.1 (2009) (Kammerorchester, SLMC Chamber Ensemble gewidmet); prima esecuzione il 7.6.2009 presso la Sala Casella dell\u2019Accademia Filarmonica Romana; https:\/\/soundcloud.com\/enrico-olivanti\/elegia-della-memoria   Sovrumani Silenzi\u00a0op.2 (2010) (Album f\u00fcr Jazz Quintet, Enrico Olivanti Quintet); https:\/\/soundcloud.com\/enrico-olivanti\/hu-tong https:\/\/soundcloud.com\/enrico-olivanti\/ritroverai-la-strada   Fantasia op.3 (2010) (Kammerorchester, SLMC Chamber Ensemble gewidmet); prima esecuzione il 24.6.2010 presso la Sala Casella dell\u2019Accademia Filarmonica Romana; […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/www.enricoolivanti.com\/de\/wp-json\/wp\/v2\/pages\/529"}],"collection":[{"href":"https:\/\/www.enricoolivanti.com\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.enricoolivanti.com\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.enricoolivanti.com\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.enricoolivanti.com\/de\/wp-json\/wp\/v2\/comments?post=529"}],"version-history":[{"count":8,"href":"https:\/\/www.enricoolivanti.com\/de\/wp-json\/wp\/v2\/pages\/529\/revisions"}],"predecessor-version":[{"id":888,"href":"https:\/\/www.enricoolivanti.com\/de\/wp-json\/wp\/v2\/pages\/529\/revisions\/888"}],"wp:attachment":[{"href":"https:\/\/www.enricoolivanti.com\/de\/wp-json\/wp\/v2\/media?parent=529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}